Movies on the Big Screen as They Were Meant To Be Seen.
THE STALKING MOON
Dir: Robert Mulligan
Gregory Peck reunites with his TO KILL A MOCKINGBIRD director Robert Mulligan for this highly underrated Western thriller. U.S. Army soldiers encounter a group of Indians that includes a white woman and her half-Indian son; the woman (Eva Marie Saint) is desperate for cavalry scout Sam Varner (Gregory Peck) to take her and the child to Varner’s New Mexico ranch. The reason for her concern is soon clear – the boy’s father is a fearsome warrior who will stop at nothing to take him back.
Dir: Otto Preminger
The finest courtroom drama ever made, a masterpiece of ambiguity in which the audience is the ultimate juror. James Stewart (in what is arguably his richest, certainly his most ambivalent performance) is a small-town lawyer who defends an arrogant soldier (Ben Gazzara) for the murder of his sexy wife’s supposed rapist. The characters often seem to behave inappropriately, in the process blurring the dividing line between guilt and innocence. Filmed on location in upper Michigan, in the actual locations where the real-life murder and trial took place. Superb performances from Eve Arden as Stewart’s rock-solid gal Friday, Arthur O’Connell as an alcoholic attorney, George C. Scott as a prosecutor who seems as aware as Stewart that the courtroom is a stage and that victory belongs to the best actor, and McCarthy silencer, real-life lawyer and non-actor Joseph N. Welch as a droll judge. Enhanced by a jazz score from Duke Ellington, who makes a surprise cameo appearance performing at the neighborhood juke joint.
20th Century Fox,
Dir: Ronald Neame
Director Ronald Neame and producer Irwin Allen’s literally titanic disaster epic features a boatload of acting talent - Gene Hackman, Ernest Borgnine, Red Buttons, Carol Lynley, Jack Albertson, Roddy McDowall, Stella Stevens and more - all doing their best to survive the hellish inferno of capsized ocean liner the S.S. Poseidon. Special kudos to Shelley Winters for her unforgettably gutsy performance, and to special effects expert L.B. Abbott and stunt coordinator Paul Stader for some of the most spectacular disaster scenes in movie history, including the famous upside-down ballroom.