THE RECKLESS MOMENT
1949, 82 min, USA, Dir: Max Ophuls

Suburban housewife Joan Bennett goes to extraordinary lengths to cover up a murder committed by her daughter. Then blackmailer James Mason enters the picture: sadist or saint? Top-of-the-line suspense from the great Max Ophuls. Remade as THE DEEP END - see the original and decide for yourself if you'd rather have Joan Bennett or Tilda Swinton for a mother.


I WANT TO LIVE!
1958, Park Circus/UA, 120 min, USA, Dir: Robert Wise

This harrowing indictment of capital punishment recounts the true-life story of Barbara Graham, a “loose” woman who ran with the wrong crowd and paid the ultimate price. Susan Hayward gives a high-octane, Oscar-winning performance as the good-time girl gone bad. The film’s inexorable last reel shows Wise’s directorial and editing skill at their heart-pounding peak. With Simon Oakland, Theodore Bikel and Virginia Vincent.


VOGUES OF 1938
1937, Westchester Films Inc., 109 min, USA, Dir: Irving Cummings

Gorgeously filmed and costumed, with first-rate performances and a sparkling script this romantic comedy --set in 1937's New York City-- has it all: high fashion, a winsome runaway bride, The Cotton Club's singers and dancers, snobs of all stripes laid low, hazardous rollerskating tricks, and Max Factor's makeup magic ... all in glowing color. Don't miss the chance to see this nearly forgotten film on the big screen!

Truly a feast for the eyes, this musical (an Oscar nominee for Best Art Direction) makes stunning use of Technicolor to show off some of the most beautiful costumes of the 1930s. Runaway bride Joan Bennett leaves wealthy Alan Mowbray at the altar to become a model, eventually falling for fashion designer Warner Baxter. As a rival designer, Mischa Auer is an absolute delight.


Syndicate content