THE WITCH WHO CAME FROM THE SEA
1976, AGFA, 86 min, United States, Dir: Matt Cimber

Famed for his work on 1980s cult sensation “GLOW: Gorgeous Ladies of Wrestling,” director Matt Cimber tells the psychedelic horror tale of Molly (Millie Perkins), who is haunted by childhood trauma and abuse. With her reality distorted, Molly looks for answers by seducing and murdering men - but the blood she sheds gives her little comfort and instead drives her deeper into personal darkness.


ALWAYS
1989, Universal, 122 min, USA, Dir: Steven Spielberg

Based on the WWII drama A GUY NAMED JOE, this moving fantasy-romance is among director Steven Spielberg’s most underrated films. Warned by girlfriend Holly Hunter and colleague John Goodman that he takes too many risks, aerial firefighter Richard Dreyfuss resolves to take a safer job - but one last mission turns him from a pilot into a guardian angel. Audrey Hepburn costars in her final big-screen appearance.


RYAN’S DAUGHTER
1970, Warner Bros., 187 min, UK, Dir: David Lean

Initially planned as a return to the small-scale storytelling of David Lean’s BRIEF ENCOUNTER days, RYAN’S DAUGHTER instead became an epic contest between the director and the Irish landscape, as he attempted to tell the tragic story of a married Irish woman (played by Sarah Miles, wife of the film’s screenwriter, Robert Bolt) and her affair with a shell-shocked British soldier (Christopher Jones). A flawed gem, the film boasts some great performances (John Mills, who won a Best Supporting Actor Oscar, and Leo McKern) and some still-underrated ones (Robert Mitchum, as a meek schoolteacher). Freddie Young’s astonishing cinematography ranks with his best work on LAWRENCE OF ARABIA and DOCTOR ZHIVAGO.


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