FREAKS
1932, MGM Repertory, 64 min, USA, Dir: Tod Browning

"Gooble gobble, gooble gobble, we accept her, we accept her, one of us, one of us!" Based on the simple moral that beauty is on the inside comes this inspired, documentary-like tale of circus life. Trapeze artist Cleopatra and strongman Hercules plot to kill the sideshow midget and gain his inheritance. With never-again duplicated eerie performances by real-life siblings Daisy and Harry Earles as Hans and Frieda. Featuring the beautiful conjoined Hilton Twins, Elvira and Jenny Lee Snow as Zip and Pip the pinheads, Johnny Eck as Johnny the half-boy and the unforgettable Prince Randian as the human Torso, with the most amazing cigarette-smoking scene in film history. Drawing from past experience working for the circus, DRACULA director Tod Browning cast actual people with disabilities and deformities instead of using special effects and makeup, something unthinkable for the time. Although banned in the U.K. for 30 years, FREAKS was selected for preservation in 1994 by the United States National Film Registry as one of the greatest films of all time.


THE UNHOLY THREE
1925, Warner Bros., 86 min, USA, Dir: Tod Browning

One of director Tod Browning's earliest evocations of death, perversity and deformity, this silent masterpiece follows a crime syndicate comprised of a dwarf, a strongman and a ventriloquist (as the latter, Lon Chaney dresses up as a woman in one of the many instances of transvestism in Browning’s ouevre).


THE UNKNOWN
1927, Warner Bros., 63 min, USA, Dir: Tod Browning

Armless circus performer Lon Chaney falls for stunning, scantily clad bareback rider Joan Crawford (who, conveniently, is pathologically terrified of men's hands) in this typically haunting Tod Browning melodrama. Burt Lancaster once praised Chaney's performance in this film as the most emotionally compelling work ever committed to celluloid.


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