THE HAPPINESS OF THE KATAKURIS
KATAKURI-KE NO KÔFUKU
2001, 113 min, Japan, Dir: Takashi Miike

Whimsical musical numbers, grotesque horror and Claymation all come together in this wildly surreal film by one of the world’s greatest masters of blending genre. The Katakuri family open a bed-and-breakfast in the remote countryside but are met with misfortune when their guests start dying in spectacular fashion. Determined to prevent negative publicity from spoiling their new business, the Katakuris pile corpse after corpse in the backyard to keep up appearances.


VISITOR Q
BIJITÂ Q
2001, 84 min, Japan, Dir: Takashi Miike

Shot like a disturbing home video, Takashi Miike’s transgressive genre-bending portrait of a disturbingly dysfunctional family unit begins with a father’s attempt to document “young people today.” What follows is a descent into a household where incest, drug abuse and ultra-violence are all a part of daily life. Can the intervention of the mysterious stranger Q restore order to this bourgeois family? Equally disturbing, dark and funny, VISITOR Q is unlike anything you’ve seen before.


MOTHER!
2017, Paramount, 121 min, USA, Dir: Darren Aronofsky

A young wife (Jennifer Lawrence) learns a lot of hard truths about her passionate but enigmatic husband (Javier Bardem) when their house is set upon by visitors who may or may not have malicious intentions. Writer-director Darren Aronofsky crafts an ambitious, divisive - and absolutely masterful - exercise in psychological suspense rich in allegory, metaphor and visceral horror that ranks with the best of Roman Polanski and Tobe Hooper. Jennifer Lawrence is fearless and powerful as the heroine through whose eyes we experience all the terror, poignancy, and exhilaration of Aronofsky’s fiercely original vision. Costarring Ed Harris and Michelle Pfeiffer.


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