CUBE
1997, Lionsgate, 90 min, Canada, Dir: Vincenzo Natali

A Best Canadian First Feature Film winner at the Toronto International Film Festival, this cult sci-fi horror film drops a group of strangers of varying backgrounds and skills into a giant cube filled with shifting, booby-trapped rooms from which they must escape. Stark production design and taut direction elevate this allegory about trust and futility, which spawned a pair of sequels. “Surprisingly gripping, in the best 'Twilight Zone' tradition. The ensemble cast does an outstanding job on the cinematic equivalent of a bare stage.” - Anita Gates, The New York Times.


THE BOXER’S OMEN
MO
1983, AGFA, 105 min, Hong Kong, Dir: Kuei Chih-Hung

Easily the most notorious film in the entire Shaw Brothers catalogue, this is THE HOLY MOUNTAIN, ALTERED STATES and ROCKY all rolled into one. It’s the Wizard Battle movie to end all Wizard Battle movies. It’s all of ’70s gonzo kickass cinema compressed into an insane little ball and blasted through a garishly-colored ’80s Hong Kong filter. It’s one of the craziest damned things you’ll ever witness in a movie theater. This hexadelical, truly incredible piece of cinematic black magic is a guaranteed mug-melter or your money back.


HUMAN LANTERNS
REN PI DENG LONG
1982, AGFA, 95 min, Hong Kong, Dir: Chung Sun

Martial arts and no-holds-barred horror make for a seriously wild experience in this ’82 slice of Shaw Brothers mayhem. A clawed, skull-masked village psycho is on the loose, swiping young women to peel off their skin in his grisly workshop of the damned. Could the murders be connected to a brewing town rivalry over the upcoming lantern festival? The rowdy scenes of the hairy, hyperactive maniac going to town turned this formerly obscure genre mash-up into a cult favorite among Hong Kong fans.


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