THE BOYS IN THE BAND
1970, Hollywood Classics, 120 min, USA, Dir: William Friedkin

Director William Friedkin’s breakthrough film (and one of the first Hollywood films with an all-gay theme), BOYS IN THE BAND is a scathingly funny bitch-fest swirling around nine gay men who gather for the birthday party of Harold (Leonard Frey), a self-described "32-year-old, ugly, pockmarked Jew fairy." Friedkin adapted Mart Crowley’s landmark Off-Broadway play with a stunning sureness of control - almost the entire film is set in a single room, and Friedkin slowly, brilliantly transforms the space into a battlefield of fierce pride and wounded emotions. With Cliff Gorman, Laurence Luckinbill.


CRUISING
1980, Warner Bros., 106 min, USA, Dir: William Friedkin

A bleakly chilling emotional travelogue of desperation, loneliness and spiritual hunger, CRUISING stars Al Pacino as a naïve undercover cop who descends into the leather-bar underworld of New York’s gay S&M scene. Widely condemned and misinterpreted on its release, CRUISING emerges today as one of Friedkin’s major works - it succeeds as a police procedural, horror film (there are scenes every bit as terrifying as THE EXORCIST), and saga of one seemingly "decent" man’s inability to face the truth about himself. Featuring a terrific score by composer Jack Nitzsche, with songs by The Germs.


FOX AND HIS FRIENDS
FAUSTRECHT DER FREIHEIT
1975, Janus Films, 123 min, Germany, Dir: Rainer Werner Fassbinder

Franz “Fox” Biberkopf (Rainer Werner Fassbinder) and his lover Klaus have their carnival attraction “Fox, the Talking Head” shuttered by the cops, and Klaus is promptly imprisoned. Jobless, single and adrift, Fox falls in with Eugen and Philip, a glamorous, status-conscious couple with conspicuously expensive tastes who only snobbishly tolerate him. But when Fox is the improbable lottery winner of 500,000 marks, Eugen (Peter Chatel), the heir of a bookbinding firm in desperate need of funds, is suddenly anxious to become Fox’s confidant. Fassbinder’s wickedly deft work of betrayal and trickery showcases the talented director’s flare for artfully combining the bizarre with the mundane, as well as his own impressive acting chops. “Years before Hollywood made its first faltering steps in the direction of a new frankness about homosexuality, Fassbinder was miles out in front.” - Roger Ebert. In German with English subtitles.


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