Movies on the Big Screen as They Were Meant To Be Seen.
Dir: Rainer Sarnet
This adaptation of Andrus Kivirähk’s novel Rehepapp follows the lives of pragmatic farmers who co-exist with werewolves, ghosts and the plague in a strange, intriguing tale that boasts a very distinctive visual style. A mixture of magic and romantic comedy, NOVEMBER is making its North American premiere in the International Narrative Competition at the Tribeca Film Festival 2017.
A coal miner (Emil Jannings) encounters the demonic Algol, who divulges the secret of harnessing the rays of the star Algol as a source of energy; the miner becomes the most powerful man in the world, with every country dependent on his energy supply. A sci-fi morality tale with inventive art direction by Walter Reimann, this tinted and toned restoration features a recorded score by Stephen Horne.
Sony Pictures Classics,
Dir: Marc Caro, Jean-Pierre Jeunet
The long-planned second feature from the creative team behind DELICATESSEN is just as bizarre, sinister and wildly imaginative as its predecessor, mixing elements of Dr. Caligari, Victor Hugo and Rube Goldberg into the story of a kind-hearted circus strongman (Ron Perlman) and his coquettish 7-year old side-kick (Judith Vittet), who attempt to stop a wicked scientist (Daniel Emilfork) from stealing the dreams of little children.