THE MIDNIGHT STORY
1957, Universal, 89 min, USA, Dir: Joe Pevney

A San Francisco motorcycle cop (Tony Curtis) becomes obsessed with solving the murder of his mentor, a popular North Beach priest. Not allowed to follow his suspicions, he chucks his badge and becomes an undercover vigilante. The prime suspect, a popular Italian patriarch (Gilbert Roland), ends up loving him like his own son. But is he guilty of murder? The San Francisco locations are accentuated by atmospheric black-and-white Cinemascope.


I WANT TO LIVE!
1958, Park Circus/UA, 120 min, USA, Dir: Robert Wise

This harrowing indictment of capital punishment recounts the true-life story of Barbara Graham, a “loose” woman who ran with the wrong crowd and paid the ultimate price. Susan Hayward gives a high-octane, Oscar-winning performance as the good-time girl gone bad. The film’s inexorable last reel shows Wise’s directorial and editing skill at their heart-pounding peak. With Simon Oakland, Theodore Bikel and Virginia Vincent.


THE HIGHWAYMEN
2019, Netflix, 132 min, Dir: John Lee Hancock

The outlaws made headlines. The lawmen made history. From director John Lee Hancock (THE BLIND SIDE), this untold true story follows the legendary detectives who brought down Bonnie and Clyde. When the full force of the FBI and the latest forensic technology aren’t enough to capture the nation’s most notorious criminals, two former Texas Rangers (Kevin Costner and Woody Harrelson) must rely on their gut instincts and old-school skills to get the job done. Costarring Kathy Bates and Kim Dickens.


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