WIDOWS
2018, 20th Century Fox, 128 min, UK/USA, Dir: Steve McQueen

From Academy Award-winning director Steve McQueen (12 YEARS A SLAVE) and co-writer and best-selling author Gillian Flynn (GONE GIRL) comes a blistering, modern-day thriller set against the backdrop of crime, passion and corruption. WIDOWS is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago amid a time of turmoil, tensions build when Veronica (Oscar winner Viola Davis), Linda (Michelle Rodriguez), Alice (Elizabeth Debicki) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms. Co-starring Liam Neeson, Colin Farrell, Robert Duvall, Daniel Kaluuya, Lukas Haas and Brian Tyree Henry.


DOBERMAN COP
DOBERUMAN DEKA
1977, 90 min, Japan, Dir: Kinji Fukasaku

Based on the manga by Buronson and Shinji Hiramatsu, DOBERMAN COP is a one-of-a-kind cop movie featuring Sonny Chiba as tough-as-nails Joji Kano from Okinawa, who is investigating a savage murder in Tokyo’s nightlife scene. Settling between Fukasaku’s masterful “Battles Without Honor and Humanity” series, this is the yakuza genre elevated to art form, as Joji takes on all kinds of bikers, drug pushers and lowlifes - none of whom suspect that this seemingly naive man will never relinquish his bear-trap grip. With Fukasaku regulars filling out the secondary cast and Chiba at a charismatic peak, it’s a pure shot of adrenaline to the heart, delivered with the force of a chest kick.


THE GUILTY (2018)
DEN SKYLDIGE
2018, Magnolia Pictures, 85 min, Denmark, Dir: Gustav Möller

The night before he is to be reinstated for active duty, dispatch officer Asger Holm (Jakob Cedergren) gets an emergency call from a kidnapped woman. As the line is disconnected, Holm is thrown into a race against time to save the caller, but not everything is what it seems and what he suspects is a kidnapping might be something much, much bigger. One of the big hits out of Sundance, Gustav Möller’s one-location, high-concept thriller set over the course of one night is a brilliant example of how much a terrific actor and a nail-biting script can achieve.


Syndicate content