THE MAGIC FLUTE
TROLLFLÖJTEN
1974, Janus Films, 134 min, Sweden, Dir: Ingmar Bergman

Director Ingmar Bergman shot Mozart's last operatic masterpiece for Swedish television in 1973, all on a studio lot in which the famed 18th-century Royal Court Theatre of Drottningholm was re-created. A heroic prince (Josef Köstlinger) has been enlisted by the Queen of the Night (Birgit Nordin) to rescue her daughter, the beautiful Pamina (Irma Urrila), from her evil father, Sarastro (Ulrik Cold). The music is sublime, and the film is stunning to look at with gorgeous cinematography by Bergman favorite Sven Nykvist. “THE MAGIC FLUTE is magical indeed, charming and musically fulfilling, a perfect commingling of one form of art and another.” - Charles Champlin, Los Angeles Times.


SMILES OF A SUMMER NIGHT
SOMMARNATTENS LEENDE
1955, Janus Films, 108 min, Sweden, Dir: Ingmar Bergman

After 15 films that received mostly local acclaim, this classic film at last ushered in an international audience for Ingmar Bergman. In turn-of-the-century Sweden, four men and four women attempt to navigate the laws of attraction. During a weekend in the country, the women collude to force the men’s hands in matters of the heart, exposing their pretensions and insecurities along the way. Chock-full of flirtatious propositions and sharp witticisms delivered by such Swedish screen legends as Gunnar Björnstrand and Harriet Andersson, SMILES OF A SUMMER NIGHT is one of cinema’s great erotic comedies.


ALL THESE WOMEN
FÖR ATT INTE TALA OM ALLA DESSA KVINNOR
1964, Janus Films, 80 min, Sweden, Dir: Ingmar Bergman

Conceived as an amusing diversion in the wake of the despairing THE SILENCE, this comedy is Bergman’s first film in color, and it looks like a glorious chocolate box. Working from a bawdy screenplay he cowrote with actor Erland Josephson, about a supercilious critic drawn into the dizzying orbit of a famous cellist, Bergman brings together buoyant comic turns by a number of his frequent collaborators, including Jarl Kulle, Eva Dahlbeck, Harriet Andersson and Bibi Andersson. ALL THESE WOMEN, in which Bergman pokes fun at the pretensions of drawing-room art, possesses a distinctly playful atmosphere and a carefree rhythm.


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