PINOCCHIO
1940, Disney, 88 min, USA, Dir: Hamilton Luske, Ben Sharpsteen

Walt Disney’s follow-up to SNOW WHITE AND THE SEVEN DWARFS represented a quantum leap in animation technique, and is seen by some as the studio’s summit achievement. When woodworker Geppetto longs for a son, his puppet Pinocchio is magically brought to life. Pinocchio must prove himself “brave, truthful and unselfish” to become a real boy, but he faces temptation at every turn, despite the advice of surrogate conscience Jiminy Cricket. Oscar winner for Best Original Score and Song (the immortal “When You Wish Upon a Star”).


ANOMALISA
2015, Paramount, 90 min, USA, Dir: Duke Johnson, Charlie Kaufman

For a customer service guru, Michael Stone (David Thewlis) is unusually alienated; everyone he meets when he checks into Cincinnati’s Fregoli hotel sounds the same to him. Everyone except for Lisa (Jennifer Jason Leigh), a customer service rep who may offer Michael a fleeting chance at real connection. Kaufman’s first foray into stop-motion animation was the Grand Jury Prize winner at the Venice International Film Festival. “Its emotional power creeps out from under the subtle humor and leaves a subcutaneous imprint that lingers long after the movie is over.” - David Rooney, The Hollywood Reporter.


MUMMY, I’M A ZOMBIE
DIXIE Y LA REBELIÓN ZOMBI
2014, 82 min, Spain, Dir: Beñat Beitia, Ricardo Ramón

“She’s back. Of course she is, she’s a zombie.” In this sequel to DADDY, I'M A ZOMBIE, undead teen Dixie Grim (Paula Ribó) hopes to become class president, but winning the election may require her to turn her back on old friends Gonner and Isis – who need Dixie’s help when zombies are targeted for destruction. A Goya nominee for Best Animated Film. In Catalan, English, Basque and Spanish with English subtitles.


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