THELMA & LOUISE
1991, Park Circus/MGM, 128 min, USA/France, Dir: Ridley Scott

Thelma (Geena Davis) and Louise (Susan Sarandon) take a fishing trip to get away from their dead-end relationships, only to end up dispatching a would-be rapist. This results in a cross-country rampage on the lam from the law, all culminating in one of the most daring, simultaneously uplifting/downbeat climaxes ever recorded on film, due in no small part to Ridley Scott’s expert direction and Callie Khouri’s gutsy script. With Harvey Keitel and a young Brad Pitt in his breakout role.


MARY AND THE WITCH'S FLOWER
MEARI TO MAJO NO HANA
2017, GKIDS, 102 min, Japan, Dir: Hiromasa Yonebayashi

Based on Mary Stewart’s 1971 children’s classic The Little Broomstick, director Hiromasa Yonebayashi’s follow-up to the Oscar-nominated WHEN MARNIE WAS THERE is an action-packed animated adventure full of jaw-dropping imaginative worlds, ingenious characters and the simple, heartfelt story of a young girl trying to find her place in the world. While living in the country with her great-aunt, Mary follows a mysterious cat into the nearby forest, where she discovers an old broomstick and the exotic Fly-by-Night flower. Together the flower and broomstick whisk Mary far away to Endor College – a school of magic where some terrible things are happening.


THE SHAPE OF WATER
2017, Fox Searchlight, 123 min, Canada/USA, Dir: Guillermo del Toro

This otherworldly fable from master story teller Guillermo del Toro is set against the backdrop of Cold War America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg and Doug Jones. “THE SHAPE OF WATER is a wonder to behold. Magical, thrilling and romantic to the core, a sensual and fantastical fairy tale with moral overtones, it’s a film that plays by all the rules and none of them, going its own way with fierce abandon.” - Kenneth Turan, Los Angeles Times


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