Movies on the Big Screen as They Were Meant To Be Seen.
Buena Vista Pictures,
Dir: Robert Redford
In December 1956, millions of viewers tuned in to watch reigning champ Herb Stempel (John Turturro) lose to the refined Charles Van Doren (Ralph Fiennes) on the quiz show “Twenty-One.” But it was all faked, and the resulting scandal is the basis for this nuanced look at integrity falling victim to TV ratings. Paul Attanasio’s script earned an Oscar nomination, as did Redford’s direction and Paul Scofield’s performance as Van Doren’s father.
Buena Vista Pictures,
Dir: Joel Cohen
Taking much of its inspiration from Homer’s The Odyssey, this Coen brothers comedy stars George Clooney, John Turturro and Tim Blake Nelson as escaped convicts in Depression-era Mississippi. On a wild goose chase for loot from a previous crime, the trio encounter bluesmen, bank robbers, Bible thumpers and politicos, and become unlikely hitmakers as the “Soggy Bottom Boys” (in real life, the film’s bluegrass-filled soundtrack topped charts and won three Grammys). Costarring John Goodman. The title is taken from the social-realist film-within-a-film Joel McCrea's character wants to make in Preston Sturges' SULLIVAN'S TRAVELS!
20th Century Fox,
Dir: Joel and Ethan Coen
Joel and Ethan Coen’s brilliant, atmospheric tribute to 1930s gangster melodramas is full to the brim with venomous one-liners and a catalog of characters worthy of any pre-WWII James Cagney/Warner Bros. picture. Bitter Gabriel Byrne is adviser to sentimental but tough gang boss Albert Finney in a small Northeastern town. But their complacently corrupt burg is about to erupt in violence when nouveau-riche newcomer Jon Polito and his merciless, grim reaper of an enforcer (J.E. Freeman) make a play for the big time. The supporting cast - including Marcia Gay Harden and John Turturro - is superb, all getting to voice some of the most vitriolic dialogue this side of 1957’s SWEET SMELL OF SUCCESS. “The Coens are artists too, and their cool dazzler is an elegy to a day when Hollywood could locate moral gravity in a genre film for grownups.” - Richard Corliss, Time