MOTHER!
2017, Paramount, 121 min, USA, Dir: Darren Aronofsky

A young wife (Jennifer Lawrence) learns a lot of hard truths about her passionate but enigmatic husband (Javier Bardem) when their house is set upon by visitors who may or may not have malicious intentions. Writer-director Darren Aronofsky crafts an ambitious, divisive - and absolutely masterful - exercise in psychological suspense rich in allegory, metaphor and visceral horror that ranks with the best of Roman Polanski and Tobe Hooper. Jennifer Lawrence is fearless and powerful as the heroine through whose eyes we experience all the terror, poignancy, and exhilaration of Aronofsky’s fiercely original vision. Costarring Ed Harris and Michelle Pfeiffer.


APOLLO 13
1995, Universal, 140 min, USA, Dir: Ron Howard

“Houston, we have a problem.” An oxygen tank explosion turns what was expected to be a routine lunar mission in 1970 into a race for survival in this acclaimed real-life drama. Tom Hanks, Kevin Bacon and Bill Paxton play astronauts Jim Lovell, Jack Swigert and Fred Haise, who narrowly averted disaster with assistance from NASA’s Mission Control Center. With meticulous attention to detail, APOLLO 13 earned nine Oscar nominations, with wins for Best Film Editing and Best Sound. Gary Sinise, Ed Harris and Kathleen Quinlan costar.


A HISTORY OF VIOLENCE
2005, New Line Cinema, 95 min, USA/Germany/Canada, Dir: David Cronenberg

This thriller from director David Cronenberg stars Viggo Mortensen as a pillar of a small town community who runs a diner and lives a happy and quiet life with his wife (Maria Bello) and two children. But their lives are forever changed when Mortensen thwarts an attempted robbery and is lauded as a hero by the media, attracting the attention of two brutal mobsters (William Hurt and Ed Harris) who believe he is someone else. “A HISTORY OF VIOLENCE shifts its tone faster and better than any film I can think of … from the deeply serious to the deeply unnerving to the outright parodic with breathtaking speed and effect.” – Manohla Dargis, New York Times.


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