THE CAINE MUTINY
1954, Sony Repertory, 124 min, USA, Dir: Edward Dmytryk

A superb ensemble cast, including Humphrey Bogart, Jose Ferrer, Fred MacMurray and Van Johnson, leads this classic adaptation of Herman Wouk's novel. Bogart is Captain Queeg, a paranoid authoritarian whose men (led by Johnson and MacMurray) stage a mutiny in the last days of WWII. Ferrer is the brilliant military lawyer who takes on the case once the ship returns to port. Lee Marvin is on hand as a crewman and E.G. Marshall is a withering prosecutor at the court-martial.


TRUE CONFESSION
1937, Universal, 85 min, USA, Dir: Wesley Ruggles

Director Wesley Ruggles helmed this rarely screened screwball comedy. Pathological liar Carole Lombard tries to boost the career of her scrupulously honest (and thus unsuccessful) lawyer husband (Fred MacMurray) by confessing to a murder so he can defend her. John Barrymore is an egotistical opportunist who tries to blackmail her, with hilarious results. “Lombard is in full command of her daffy talent, dominating a number of long, virtuoso takes. One scene with slow-burning cop Edgar Kennedy is like a master class in comic timing.” – Dan Callahan, Slant Magazine


THE APARTMENT
1960, Park Circus/MGM, 125 min, USA, Dir: Billy Wilder

Jack Lemmon ingratiates himself with his corporate colleagues by lending out his apartment for their extramarital affairs - but his promotion plans backfire when he falls head over heels for boss Fred MacMurray’s new gal pal, Shirley MacLaine. Oscar winner for Best Picture, Director and Screenplay (Wilder and I.A.L. Diamond). "By the time he made THE APARTMENT, Wilder had become a master at a kind of sardonic, satiric comedy that had sadness at its center … the summation of what Wilder had done to date, and the key transition in Lemmon's career. … The valuable element in Wilder is his adult sensibility; his characters can't take flight with formula plots, because they are weighted down with the trials and responsibilities of working for a living. In many movies, the characters hardly even seem to have jobs, but in THE APARTMENT they have to be reminded that they have anything else." – Roger Ebert, Chicago Sun-Times


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